Ernst Kraft in his studio


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Ernst Kraft - Curriculum vitae breve:

Ernst Kraft in his office caravan in the Ortspitze in Passau (D)
during the building of the "Stone Maze" (das Steinlabyrinth) (sept. - oct. 2007)

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- Dutch painter, Bloemendaal, 1952.

- Has lived in Mijas Pueblo, Malaga (Spain) since 1989

- 1971 -1976 Throughout in North and South America.

- 1976 - 1980 Art training in the studio of painter Jacques von Pell in Amsterdam

- 1980 - 1989 Studio in Amsterdam (Brouwersgracht)

- His work on canvas, paper or other support, belongs in the first place to the abstract fields of contemporary art. Occasionally he works in graphical design, photography and commissions.

- His studios in the Barrio Santana in Mijas Pueblo, and in the centre of Malaga are visited by collectors, fellow artists and other interested person.

2006 Opening of another studio in the centre of old Malaga, looking out over the Plaza Mitjana

-He exhibits his work internationally in galleries, exhibition rooms and fairs of contemporay art

(Member of APLAMA, Association of Plastical Artists of Malaga,
Honorary member of the Cultural Association "Terra Dell´Arte", Italy.
Member of the Iniciative L5, Holland, director of the Project Din A4 España, and cofounder of the Asociación Malaga on)

Ernst Kraft

working in his studio

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Ernst Kraft in his studio in Malaga.

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Ernst Kraft in his studio in the 'Kulturmodell', during his stay as 'artist in residence', a project of 'Malaga-abstrakt', in Passau, Germany
sept.oct.nov.2005

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Ernst Kraft in his studio in the 'Kulturmodell' in Passau, Germany, with with his fellow artists Veronica Romero, Pedro Casermeiro, and Patricia Rio

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Ernst Kraft in the patio of his studio in Malaga

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Ernst Kraft in his studio in Malaga
Photo 1 out of the documentary video "Untitlled"
by Mark Irons and Yves Bosch
Malaga, 2004

Ernst Kraft en su taller 2

Photo 2 out of the documentary video "Untitlled"
by Mark Irons and Yves Bosch
Malaga, 2004

Ernst Kraft en su taller 3

Photo 3 out of the documentary video "Untitlled"
by Mark Irons and Yves Bosch
Malaga, 2004

P.172,73,74

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